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    தமிழ்
    NaநMaமSiசிVaவாYaய

    Saiva Siddhanta

    சைவ சித்தாந்தம்

    Saiva Siddhanta is the philosophy and way of worship of Tamil Saivism. It teaches that God, the soul and the bond that holds the soul are all real and eternal, and that Siva's grace frees the soul to live in His presence. This site introduces the tradition and gives each of its canonical texts a page of its own: the twelve Tirumurais of devotional song and the fourteen Meykanda Sastras of doctrine.

    What Saiva Siddhanta is

    "Siddhanta" means "the settled conclusion": the view that stands after the others have been examined.

    The tradition rests on three realities, each without beginning:

    Pati

    பதி

    Siva, the Lord: pure being, awareness and bliss. He creates, sustains and withdraws the world out of grace, for the sake of souls.

    Pasu

    பசு

    The soul: countless in number, eternal and conscious, but bound, so that it cannot know itself or Siva on its own.

    Pasam

    பாசம்

    The bond: the impurities of ego, karma and maya that hold the soul. Maya is also a remedy: it gives the soul a body and a world in which to ripen.

    Siva gives souls bodies and worlds so that, through experience, their impurities ripen. When a soul is ready, Siva comes to it as a guru, and grace removes the bond. The freed soul does not dissolve into Siva: it lives in union with Him, as itself, in love and in His service.

    The tradition has two streams that belong together. The Tirumurais are thothiram, hymns of praise sung by the saints. The Meykanda Sastras are , doctrine set out by reasoning. Tradition holds that the Sastras state in reasoned form what the saints knew and sang. Both rest on the and the Vedas.

    The philosophy guide explains the doctrine step by step: the three realities, the three impurities, the states of the soul, the 36 tattvas, the paths of worship and liberation.

    The texts

    Twelve collections of sacred song and fourteen treatises of doctrine: the canon of Saiva Siddhanta.

    The twelve Tirumurais · பன்னிரு திருமுறைகள்

    Hymns and sacred poetry of Tamil Saivism, gathered by Nambiyandar Nambi. The Periya Puranam was later added as the twelfth.

    The fourteen Meykanda Sastras · மெய்கண்ட சாத்திரங்கள்

    The doctrinal canon, written between the 12th and 14th centuries and centred on Meykandar's Sivagnana Bodham.

    Siddhanta Ashtakam (Umapathi's eight) சித்தாந்த அட்டகம் · 7–14

    Eight works by Umapathi Sivachariyar, fourth in Meykandar's line of teachers.

    Sastra 7Sivaprakasamசிவப்பிரகாசம்Umapathi Sivacharyar · early 14th century CERead the page →Sastra 8Tiruvarutpayanதிருவருட்பயன்Umapathi Sivacharyar · early 14th century CERead the page →Sastra 9Vinaa Venbaவினா வெண்பாUmapathi Sivacharyar · early 14th century CERead the page →Sastra 10Potrippahrodaiபோற்றிப் பஃறொடைUmapathi Sivacharyar · early 14th century CERead the page →Sastra 11Kodikkaviகொடிக்கவிUmapathi Sivacharyar · early 14th century CERead the page →Sastra 12Nenju Vidu Thoothuநெஞ்சு விடு தூதுUmapathi Sivacharyar · early 14th century CERead the page →Sastra 13Unmai Neri Vilakkamஉண்மை நெறி விளக்கம்Umapathi Sivacharyar · early 14th century CERead the page →Sastra 14Sankarpa Nirakaranamசங்கற்ப நிராகரணம்Umapathi Sivacharyar · early 14th century CE (1313 CE in its preface)Read the page →

    A short history

    Temple scripture, then the singing saints, then a compiled canon, then a reasoned philosophy, kept alive by the monasteries into the present.

    1. Ancient

      The Agamas

      The Saiva (twenty-eight principal ones, by tradition) lay down temple worship, ritual, yoga and doctrine. Siddhanta takes them as its scriptural root.

    2. c. 6th century

      Karaikkal Ammaiyar

      The earliest poet in the canon. Her hymns to Siva as the dancer of the cremation ground are in Tirumurai 11.

    3. 7th century

      Sambandar and Appar

      Travelling from shrine to shrine and singing hymns, they revive Saivism in the Tamil country. Their songs become the core of the .

    4. 8th–9th century

      Sundarar and Manikkavasagar

      Sundarar's hymns include a list of Siva's devotees, later expanded into the Periya Puranam. Manikkavasagar's Tiruvasagam is dated variously, most often to the 9th century.

    5. 10th–11th century

      The canon is compiled

      Tradition says that at the request of the Chola king Rajaraja I, Nambiyandar Nambi recovered the Tevaram hymns from a sealed room at Chidambaram and arranged the hymns of the saints into eleven Tirumurais.

    6. 12th century

      The Periya Puranam

      Sekkizhar, a minister at the court of Kulottunga II, tells the lives of the 63 . His work becomes the twelfth Tirumurai.

    7. 12th–14th century

      The Meykanda Sastras

      From Tiruvundiyar to Meykandar's Sivagnana Bodham and Umapathi's eight works, the doctrine is set out systematically, and the line of four is established.

    8. From the 16th century

      The Adheenams

      Saiva monasteries such as Tiruvavaduthurai and Dharmapuram preserve the texts, teach the doctrine, train and publish editions. They continue this work today.

    9. 18th century

      Sivagnana Swamigal

      His great commentary on Sivagnana Bodham, the Dravida Mapadiyam, becomes the standard for later study.

    10. 19th–20th century

      Print and revival

      Arumuga Navalar of Jaffna (1822–1879) edits and prints the texts and founds schools. J. M. Nallaswami Pillai translates the Sastras into English and edits the journal Siddhanta Deepika (from 1897).

    Living tradition

    Siddhanta is lived in the temple before it is studied in a book.

    Temples

    The Tevaram saints sang at 274 shrines, the padal petra sthalams, still visited by pilgrims. In Saiva usage, Chidambaram is simply Koyil, "the Temple".

    Oduvars and pann

    Temple singers, the , sing the Tirumurais at the end of worship each day, in the old Tamil melodic modes called .

    Festivals

    Arudra Darshanam in the month of Margazhi, Maha Sivaratri, and processions of the sixty-three saints, such as the Arupathu Moovar festival at Mylapore. Each saint is also remembered on their own day with a guru puja.

    Ash and the five syllables

    Sacred ash on the forehead, the rudraksha bead, and the five-syllable mantra Na-Ma-Si-Va-Ya () mark daily Saiva life.

    The saints and teachers

    Four who sang, four who taught, and the sixty-three whose lives show the many ways of love for Siva.

    The Samaya Kuravars · சமயக் குரவர்

    The four , whose hymns form the heart of the Tirumurais.

    Tirunavukkarasar (Appar)

    திருநாவுக்கரசர் (அப்பர்)

    7th century CE

    Tevaram of Appar · Tevaram of Appar · Tevaram of Appar

    Tirujnanasambandar

    திருஞானசம்பந்தர்

    7th century CE

    Tirukkadaikkappu (Tevaram) · Tirukkadaikkappu (Tevaram) · Tirukkadaikkappu (Tevaram)

    Sundaramurti Nayanar

    சுந்தரமூர்த்தி நாயனார்

    8th–9th century CE

    Tiruppattu (Tevaram of Sundarar)

    Manikkavasagar

    மாணிக்கவாசகர்

    disputed; commonly placed in the 9th century CE

    Tiruvasagam and Tirukkovaiyar

    The Santana Kuravars · சந்தானக் குரவர்

    The four , teacher and disciple in turn, who set out the doctrine.

    Meykandar

    மெய்கண்டார்

    13th century CE

    Sivagnana Bodham

    Arulnandi Sivacharyar

    அருள்நந்தி சிவாசாரியார்

    13th century CE

    Sivagnana Siddhiar · Irupa Irupathu

    Maraignana Sambandar

    மறைஞான சம்பந்தர்

    13th–14th century CE

    Umapathi Sivacharyar

    உமாபதி சிவாசாரியார்

    early 14th century CE

    Sivaprakasam · Tiruvarutpayan · Vinaa Venba · Potrippahrodai · Kodikkavi · Nenju Vidu Thoothu · Unmai Neri Vilakkam · Sankarpa Nirakaranam

    The 63 Nayanmars · அறுபத்து மூன்று நாயன்மார்

    Kings and potters, hunters and Brahmins, women and men: the came from every walk of Tamil life. Sekkizhar tells their lives in the Periya Puranam (Tirumurai 12). Their images stand in the corridors of most Siva temples in Tamil Nadu.

    About this site

    An introduction for readers with some background, written with care for accuracy and for the tradition.

    • What is ours and what is the tradition's. Doctrine is stated plainly. Explanations added for this site are marked "As a teacher might explain it"; a named author's interpretation is marked "Author's view".
    • Verses. Tamil verses are quoted from the classical texts in Tamil script, each with our own English rendering. Modern translations and commentaries are linked, not copied.
    • Disputed facts. Where scholars disagree about a date, an author or a verse count, the page says so.
    • Images. The site does not draw Siva, the saints or other sacred figures. It uses abstract marks only: the ring of flames, sacred ash, the lamp and the Tamil letters.

    Saiva Siddhanta · a study site. Every page is reviewed before it is marked published.

    The whole glossary ›

    Glossary

    Terms used on this page.

    Agamam (Agama)
    ஆகமம் · Sanskrit āgama
    Scriptures of Saiva ritual, temple and doctrine; the Saiva tradition counts 28 principal Agamas.
    Nayanmar
    நாயன்மார்
    The 63 Saiva saints whose lives are told in the Periya Puranam.
    Oduvar
    ஓதுவார்
    A temple singer who recites the Tirumurais in their panns during worship.
    Panchaksharam
    பஞ்சாக்கரம் · Sanskrit pañcākṣara
    The five-syllable mantra Na-Ma-Si-Va-Ya: veiling, impurity, Siva, grace, soul.
    Pann
    பண்
    The ancient Tamil melodic mode in which a hymn is sung; related to, but not the same as, the later raga.
    Samaya Kuravar
    சமயக் குரவர்
    The four religious preceptors: Appar, Sambandar, Sundarar and Manikkavasagar.
    Santana Kuravar
    சந்தானக் குரவர்
    The four lineage preceptors of Siddhanta: Meykandar, Arulnandi, Maraignana Sambandar and Umapathi Sivacharyar.
    Sathiram (Sastra)
    சாத்திரம் · Sanskrit śāstra
    A doctrinal treatise; here, the fourteen Meykanda Sastras.
    Tevaram
    தேவாரம்
    The hymns of Sambandar, Appar and Sundarar, forming Tirumurai 1–7.

    The whole glossary ›

    The path round the hill