Irupa Irupathu

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    தமிழ்

    Fourteen Meykanda Sastras · 5 of 14

    Irupa Irupathu

    இருபா இருபஃது

    Twenty verses in two alternating forms, spoken by Arulnandi to his guru Meykandar. The disciple asks how he can both know and fail to know, how the three bonds hold him, and how grace frees him. Irupa Irupathu means “twenty in two kinds of verse”: short venbas hold a question close; longer agaval verses let its difficulties unfold. The work ends with the teacher's gift of Siva, and of the soul to itself.

    On the path: round 6 of 9, The shorter Sastras

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    Explained in:Three realities · Why the soul is bound · How Siva helps

    Collection
    Fourteen Meykanda Sastras, 5 of 14
    Author
    Arulnandi Sivacharyar அருள்நந்தி சிவாசாரியார்
    Period
    13th century CE (placed by Arulnandi's relationship to Meykandar and the succession of their teachers)
    Size
    20 verses
    Form
    10 venbas alternating with 10 agaval verses
    Voice
    Arulnandi addressing his guru Meykandar
    Language
    Tamil

    On this page

    நமசிவாய

    1 of 8

    The work at a glance

    The fifth of the fourteen Meykanda Sastras makes doctrine a disciple's sustained questioning of his own experience.

    Sivagnana Bodham sets out the teaching in twelve . Arulnandi's Sivagnana Siddhiyar unfolds its arguments. Irupa Irupathu takes another form: the disciple turns to the teacher and asks what those truths mean for the one who is bound and seeks release.

    The questions are addressed to Meykandar, often named as the true teacher of Vennai, Tiruvennainallur. There is no separate sequence of replies in the guru's voice. Arulnandi recalls what he has been taught, presses its implications, and asks his teacher to resolve the difficulty. His opening praise already recognises the Lord's presence in the guru; his final verses speak in gratitude.

    Questions within a relationship

    The work is neither an examination of rival schools nor a summary of all Siddhanta. It stays near three connected matters: the soul's dependent knowing, its entanglement in the , and the grace through which it comes to know Siva. The questioning is exact because the relationship is trusted.

    Verse 2 brings remembered hymns into the inquiry. If no one sees unless the Lord shows, how does spiritual readiness arise? If He is present throughout, how does He remain untouched by the bond? A hymn's confession becomes a question that the disciple must understand.

    2 of 8

    Arulnandi and his teacher

    The scholar who became Meykandar's disciple speaks to him with both reverence and searching attention.

    Arulnandi's life is told as the tradition remembers it. He was Sakalagama Pandithar, learned in the and the family preceptor of Meykandar's household. He came to test the child teacher. When he asked about , the child pointed at him. Seeing his own pride exposed, the scholar bowed and became the child's disciple.

    Arulnandi stands second among the four , after Meykandar and before Maraignana Sambandar and Umapathi Sivachariyar. Sivagnana Siddhiyar tells his life in full; Sivagnana Bodham tells Meykandar's.

    Why the disciple's voice matters

    The writer of a sustained philosophical exposition also wrote this small work of questions. His learning has not made the teacher unnecessary. He asks about things that the school can define, but that remain difficult to recognise within himself: awareness, obscuration, action and grace.

    Verse 19 names the guru as Swetavanan of Tiruvennainallur, Meykandar's earlier name. Arulnandi sees the Lord who drank the ocean's poison coming in that teacher's form to take him up. This is the particular relationship of this work: the disciple is speaking to the teacher who has awakened him.

    Period

    Arulnandi is placed in the 13th century CE through his position immediately after Meykandar in the teaching succession, before Umapathi's works of the early 14th century; the twenty verses do not establish a precise year of composition.

    Sakalagama Pandithar means one learned in all the Agamas; what they are is told in The Agamas.

    Arulnandi Sivacharyar · All the poets and teachers ›

    3 of 8

    Twenty verses, two movements

    Ten short venbas alternate with ten longer agaval verses, carrying the inquiry from recognition through difficulty to gratitude.

    The work contains twenty numbered verses. Odd-numbered verses are , compact poems in a regulated Tamil metre. Even-numbered verses are , whose flowing rhythm gives room for a sequence of questions and objections. Each form occurs ten times.

    The verses also carry words or meanings from an ending into the next beginning. The question does not close simply because a short verse has ended. The longer verse can resume it, turn it, or pursue another implication. These are linked verses, without separately titled chapters.

    The inquiry in order

    1. 1

      1 · The teacher recognised

      The Lord conceals His divine marks and appears as Meykandar to remove impurity.

    2. 2

      2 · Grace and readiness

      How can the pure Lord reveal Himself within a bound soul, and how does readiness for that revelation arise?

    3. 3

      3 · Knowing and not-knowing

      If both occur in me, what am I?

    4. 4

      4 · The three impurities

      What are their effects, and how has the bond come to hold the soul?

    5. 5

      5 · Darkness before grace

      How can obscuration possess me when it cannot stand before grace?

    6. 6

      6 · The soul's extent

      How is its presence related to embodiment, movement and changing awareness?

    7. 7

      7 · The five states

      From one state, how can I know the others?

    8. 8

      8 · What makes knowing possible?

      The instruments are insentient; the soul depends on help; the Lord cannot be reduced to an instrument.

    9. 9

      9 · Knowing in withdrawal

      When the soul withdraws within the body, what makes its awareness possible?

    10. 10

      10 · Impurity and the Lord's presence

      In freedom, what has changed in the bonds and in the soul's relation to Siva?

    11. 11

      11 · Awareness turned two ways

      Why does it attend to the Lord or to impurity, without grasping both together?

    12. 12

      12 · Coming, going and abiding

      How can the Lord's unbroken presence be understood through the soul's experience of approach and withdrawal?

    13. 13

      13 · The soul known

      How is the soul known in relation to its bodily condition?

    14. 14

      14 · Deeds and their fruits

      How do passing acts become a continuing bond, and who brings their fruits to the soul?

    15. 15

      15 · The operation of karma

      Does past action attach itself, does the soul take it up, or does the Lord bring it about?

    16. 16

      16 · Justice and grace

      How are deeds allotted their fitting fruits, and how does grace release the soul from their hold?

    17. 17

      17 · Service and fault

      How are the Lord's taking the soul into service and the soul's fault to be understood together?

    18. 18

      18 · The hidden guide disclosed

      The Lord accompanies the soul through its claims of “I” and “mine,” then reveals its dependence on Him.

    19. 19

      19 · The Lord as this guru

      Siva comes as Swetavanan of Tiruvennainallur and raises the disciple.

    20. 20

      20 · The gift received

      The wandering mind is gathered; Siva gives Himself and the soul to itself in an inseparable union.

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    If I know and do not know, what am I?

    The soul is conscious, but its knowing depends on what enables and colours it.

    The question in verse 3

    Irupa Irupathu, verse 3
    அறிவு அறியாமை இரண்டும் அடியேன்செறிதலால் மெய்கண்ட தேவே அறிவோஅறியேனோ யாது என்று கூறுகேன் ஆய்ந்துகுறிமாறு கொள்ளாமல் கூறு.

    Rendering: Knowing and not-knowing both gather in me, your servant, Meykanda Deva. Am I knowing, or unknowing? What shall I call myself? Consider it and tell me, without confusing their meanings.

    The question rules out two easy answers. The soul is not an insentient thing: it does know. Nor is it Siva's unbounded knowledge: it encounters things it cannot know, and passes through conditions in which awareness is restricted.

    Sivagnana Bodham, sutras 4 and 5, distinguishes the soul from its instruments and explains its dependent knowing. Sutra 7 places it between the Real and the unreal: the soul can know both, and is distinct from both. Siddhanta calls this nature . It does not mean that the soul is half existent and half nonexistent. It means that its awareness takes on the character of what it is joined to.

    Awareness turned towards one or the other

    Irupa Irupathu, verse 11
    மதிநின்பால் இந்த மலத்தின்பால் நிற்கவிதிஎன்கொல் வெண்ணெய்வாழ் மெய்ய பதிநின்பால்வந்தால் இதில்வரத்தில் வந்து இரண்டும் பற்றுகிலேன்எந்தாய் இரண்டு ஆமாறு என்

    Rendering: Why is my awareness with You, and with this impurity, True One living in Vennai? When it comes to You, it does not come to this; coming to this, I cannot grasp both. Father, how does this twofold condition arise?

    Arulnandi is asking about the same soul under different conditions. Its identity remains; its knowing changes. Bound to the instruments and their objects, it knows within their limits. Through grace it comes to know Siva. Being shown is essential to knowing: the soul neither produces the Lord's revelation nor turns Him into one more object of its senses.

    Verse 8 presses this dependence further. Insentient instruments cannot account for consciousness by themselves. Yet making Siva merely an instrument used by the soul would reverse their relation. Arulnandi's questions keep the Lord, the conscious soul and the unconscious instruments distinct.

    Unmai Vilakkam distinguishes the soul from the tattvas. Sivaprakasam develops the soul's changing states and its ripening for grace. Irupa Irupathu adds the disciple's difficulty: how do I recognise these distinctions when both clarity and obscuration are familiar to me?

    5 of 8

    The bond as the disciple feels it

    The three impurities are a doctrine about bondage, and also the difficulty the disciple brings to his teacher.

    Verse 4 names the three impurities and describes their workings at length. Its account of Anavam includes delusion, anger and pride. The discussion then asks how insentient bonds can affect a conscious soul, and how their association with it is to be understood. Verse 5 makes the difficulty personal: darkness has possessed the disciple, though it cannot stand before grace.

    Three bonds, different functions

    BondIts place in SiddhantaThe disciple's difficulty
    Obscures the soul's awareness and its recognition of dependence on Siva.How can I know myself when my knowing is obscured?
    Supplies bodies, instruments and the world through which limited experience takes place.What belongs to me, and what belongs to the instruments I use?
    The deeds whose fruits shape the soul's experience.How can an act that has passed continue to bind me?

    These distinctions are set out systematically in Sivagnana Bodham and Sivagnana Siddhiyar. Arulnandi's questions prevent the names from remaining a list. He asks how each bond operates, and how the Lord's purity and grace can be understood alongside it.

    A past act and a present fruit

    Irupa Irupathu, verse 15
    மான் அமரும் செங்கை மதில்வெண்ணெய் வாழ்மன்னபோனவினை தானே பொருந்துமோ யான் அதனில்ஆவனோ ஆக்காய் அமலனாம் நின் அருள்தான்தேவனே யாதுக்கோ தேர்.

    Rendering: King dwelling in walled Vennai, with the deer in Your red hand: does past action attach itself? Do I enter into it, or do You bring it about? Pure One, what then is Your grace for? Consider and tell me, Lord.

    This is a question, not a declaration that grace is useless. Verse 14 has already asked how acts of mind, speech and body, which pass in a moment, become a continuing bond. Verse 16 considers the allotting of their fruits according to time, place and the character of the deed. Insentient karma cannot administer itself. In Sivagnana Bodham, sutra 2, the Lord brings souls the fruits of their deeds through His command.

    Grace does more than distribute those fruits. It brings the soul towards freedom from their binding force. Tiruvarutpayan unfolds the relation between obscuration and grace; Sivaprakasam explains ripening and the balance of the two kinds of deeds. Irupa Irupathu gives voice to the person for whom that teaching matters: if the Lord accompanies me through action and consequence, how does that same care lead me out of bondage?

    6 of 8

    The teacher gives the soul to itself

    Release is an inseparable life with Siva in which the soul's dependence is known and its identity is fulfilled.

    The Lord comes as this teacher

    Irupa Irupathu, verse 19
    தருமா தருமத் தலைநின்று ஆழ்வேனைக்கருமா கடல்விடம் உண் கண்டப் பெருமான்திருவெண்ணெய் நல்லூர்ச் சுவேத வனத்தான்உரு என்ன வந்து எடுத்தான் உற்று.

    Rendering: As I sank in the course of merit and demerit, the Lord who drank the poison of the dark, vast sea came in the form of Swetavanan of Tiruvennainallur, drew near and raised me.

    The verse brings the work back to its opening recognition. The guru is the way Siva's grace reaches this disciple. Sivagnana Bodham, sutra 8, teaches that the Lord comes as the guru and awakens the soul. Tiruvarutpayan explains why grace must be recognised through that encounter. Arulnandi names the person through whom he received it.

    Neither absorbed nor kept apart

    The final agaval describes the wandering mind being gathered and its confusion cut away. Its central passage refuses both the loss of the soul's identity and separation from Siva.

    Irupa Irupathu, verse 20, excerpt
    தன்னை எனக்குத் தருவதை அன்றியும்என்னையும் எனக்கே தந்து தன்னதுபேர் ஆனந்தப் பெரும் கடல் அதனுள்ஆரா இன்பம் அளித்துத் தீராஉள்ளும் புறம்பும் ஒழிவுஇன்றி நின்றவள்ளனமை காட்டி மலர் அடி அருளிய

    Rendering: Besides giving Himself to me, He gives me also to myself. In His vast ocean of bliss He grants joy that cannot be exhausted, shows His unfailing generosity, never absent within or without, and grants His flower-like feet.

    The difficult negatives protect the relation. Siva and the soul do not become one substance. They do not stand apart as two independent beings. Nor is their relation an absence of either. in Siddhanta means that they are inseparable while remaining distinct: the Lord sustains and illumines; the soul receives, knows and loves.

    “He gives me also to myself.” The soul is not erased. Freed from the obscuration that prevented it from knowing its nature, it receives itself without the claim to independent mastery. The soul comes to know and live its dependence on Him.

    This fulfils Sivagnana Bodham, sutras 10 and 11: the soul lives in the Lord's service, and its knowing and love depend on His continuing help. Sutra 12 carries that freedom into companionship with devotees and temple worship. Irupa Irupathu closes in received joy rather than a new list of outward practices.

    Neither one nor two, set beside the Advaita reading of a single referent: How the great sayings are read.

    7 of 8

    In practice today

    The twenty verses live through patient study, commentary and the repeated hearing of their questions.

    Irupa Irupathu is read within the Meykanda Sastra tradition, alongside the works that explain its doctrinal vocabulary. Its length makes repeated reading possible; its compressed questions make commentary valuable. Among its commentators are Namasivaya Thambiran and T. A. Srinivasachariyar.

    Recorded expositions from the Erode Saiva Siddhanta Sabhai's 2016 programme devote several talks to individual verses, including the long second verse, alongside study of Sivagnana Bodham. The recordings preserve a form of shared study in which a short text is given time to speak.

    A way to read it

    Read a venba and the agaval that follows it together. Identify the question, the teaching it recalls, and the point that still troubles the disciple. Return to the corresponding sutra of Sivagnana Bodham, then read Arulnandi's question again. The closing verses can also be read as an expression of gratitude to the guru.

    These are practices of attention and understanding. The work supplies no timetable by which reciting twenty verses produces release.

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    Read further

    Read the complete Tamil, then use the related Sastras to follow the questions into their systematic explanations.

    The Tamil text

    Lives, commentaries and spoken exposition

    Related works

    The hymns recalled

    Verse 2 recalls Appar's Tirumurai 6.95.3, on seeing only when the Lord shows; his 6.94.1, on the Lord's presence through the eight forms; and Sambandar's 3.54.4, on grace to those He takes into service. The giving of Himself and the joy in verse 20 also recall Manikkavasagar's Tiruvasagam, Koyil Tiruppathigam 10, Tirumurai 8.22.10.

    Check your understanding3 questions on this teaching. Answer them to light its lamp on the hill.
    Question 1

    1. What does the alternation of short venbas and longer agaval verses contribute to Irupa Irupathu?

    Question 2

    2. What does Arulnandi's experience of both knowing and not-knowing reveal about the soul?

    Question 3

    3. What does the closing phrase about giving the soul to itself mean?

    Next on the path · Round 6 · The shorter SastrasThe gate inward: the inner path of The shorter Sastras →

    Sources and further reading

    Elsewhere on this site

    The soul's journey to Siva: a guide to Saiva Siddhanta: the doctrine of Saiva Siddhanta explained step by step. Or return to all the texts.

    Tamil verses are quoted from the classical text. English renderings are our own and follow the traditional commentaries; they are not copied from any published translation. “As a teacher might explain it” marks explanations added for this site. Suggest a correction

    Contents

    1. Cover
    2. The work at a glance
    3. Arulnandi and his teacher
    4. Twenty verses, two movements
    5. If I know and do not know, what am I?
    6. The bond as the disciple feels it
    7. The teacher gives the soul to itself
    8. In practice today
    9. Read further

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    The whole glossary ›

    Glossary

    Terms used on this page.

    Advaitam (in Siddhanta)
    அத்துவிதம் · Sanskrit advaita
    'Not two'. In Siddhanta, Siva and the soul are inseparable yet not identical: neither one substance nor two separate things.
    Agamam (Agama)
    ஆகமம் · Sanskrit āgama
    Scriptures of Saiva ritual, temple and doctrine; the Saiva tradition counts 28 principal Agamas.
    Agaval
    அகவல்
    A Tamil verse form in the asiriyappa family, with a flowing, speech-like rhythm. Irupa Irupathu alternates longer agaval verses with short venbas.
    Anavam (Anava mala)
    ஆணவம் · Sanskrit āṇava
    The innate impurity of 'I-ness' and 'mine-ness'. Beginningless; the first to cling and the last to be removed.
    Arul
    அருள் · Sanskrit anugraha
    Grace. Also the knowledge of the Lord (pati-jnanam) that descends into the ripened soul.
    Kanmam (karma)
    கன்மம் · Sanskrit karma
    Merit and demerit produced by the soul's thoughts, words and deeds; it depends on Anavam.
    Mayai (Maya)
    மாயை · Sanskrit māyā
    The material cause of the world. As an impurity it is also a remedy: it gives the soul body and experience that wear Anavam down.
    Mummalam
    மும்மலம் · Sanskrit trimala
    The three impurities together: Anavam, Kanmam and Mayai.
    Pasam (Pasa)
    பாசம் · Sanskrit pāśa
    The bond or fetter: the three impurities that tie the soul to birth and rebirth. Insentient, yet with a strong pull.
    Pasu
    பசு · Sanskrit paśu
    The individual soul, 'the bound one'. Eternal and conscious, but limited and coloured by what it is joined to.
    Pati
    பதி · Sanskrit pati
    The Lord, Siva: all-knowing, all-powerful; pure being, awareness and bliss. Literally 'master', 'owner of the flock'.
    Sadasat (sat-asat)
    சதசத்து · Sanskrit sadasat
    The soul's in-between nature: like Siva (sat) when joined to Him, like the fetters (asat) when joined to them.
    Santana Kuravar
    சந்தானக் குரவர்
    The four lineage preceptors of Siddhanta: Meykandar, Arulnandi, Maraignana Sambandar and Umapathi Sivacharyar.
    Sutram (sutra)
    சூத்திரம் · Sanskrit sūtra
    A short, dense statement meant to be memorised and unfolded by commentary. Sivagnana Bodham is made of twelve.
    Venba
    வெண்பா
    A classical Tamil verse metre with fixed rules for its metrical units and their joining. Tirukkalirruppadiyar uses its four-line form: four units in each of the first three lines and three in the closing line.

    The whole glossary ›

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